69 best song

Very few seem to really know what they are talking about. ( Log Out /  The kind of song to make you want to serenade someone who you want to spend the rest of your life with, or renew your vows, or meet someone who you want to spend the rest of your life with. Top 100 Songs of 1969 Year: All Time 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1971 1970 1969 1968 1967 1966 1965 1964 1963 1962 1961 1960 1959 1958 1957 1956 1955 1954 1953 1952 1951 1950 You want to get lost in the dream, but it’s a little too dreamy. More stylish than substantial, but, oh, how stylish it is. Humor here is just a candy coating to help the honesty go down, maybe for all concerned. Fake ones are fine. So here it is, just in time for Valentine’s Day, all 69 of Magnetic Fields’ songs from the album—those you know by heart and all the ones you don’t quite remember. 51 "Urgent" - Foreigner Hot 100 Peak: 4 (9/5/1981) That said, not all of the 69 songs are of equal quality, but perhaps deliberately so.

There’s little real emotion expressed through the vocals of Merritt and L. D. Beghtol in this crushing folk ballad. What it is is an outrage. This song is an affront to both love and jazz, and it is really too cynical to tolerate. This is a faux-novelty tune along the lines of The Velvet Underground’s “I’m Sticking With You,” but with the genuine charm of a real novelty hit like Melanie’s “Brand New Key.” The spare lament is positively adorable, that is until about two thirds in when it goes horribly wrong. No. The reference to “Strange Fruit” is bizarre and, at best, out of place. You can practically feel his breath. Some are captivating love stories with melodies that worm their way into your heart some are maudlin little ditties, some are bad gags, some are booby trapped.

Some folks have put forward the idea that this is a BD hymn, which is more palatable than what it sounds like, which is just a song about a really unhealthy relationship that can only end badly. Beghtol sings this one and gives a sensitive, articulate performance, while Simms’s backing vocals seem to prod you to sing along. Change ), You are commenting using your Twitter account.

Merritt offers more religious metaphors here, this time packaged in actual gospel. This is truly one of the most beautiful rock songs I’ve ever heard. The only trouble is that the accordion makes it slightly circus punk around the edges. At least it’s slightly self aware, but not enough to save itself. ( Log Out /  Musically, it’s stranger than it seems. The challenge, of course, is that this three-disc album contains a much higher percentage of great songs than most albums of more standard length. “The Sun Goes Down and The World Goes Dancing”, 15. © 2020 Paste Media Group.

Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. To fall in love with someone you can never tie down is very human; to recognize your predicament and philosophically resign yourself is divine. You have to imagine this encyclopedia of the heart, which contains such wonders, as something that could not possibly exist in the physical world, but what if it did? At once theatrical and literary, it’s a dazzling kaleidoscope of pop and Americana, a pageant of queer (or at least sexually ambiguous) and not-that-queer heartbreak, with occasional flurries of happiness. This song is wretched. A worthwhile exercise no doubt, but unfortunately the results are positive. Given that it’s about shooting a Swiss Semiotician to defend (anachronistically) the honor of a Motown songwriting team, this is not one of the most lyrically accessible songs in the collection. The album is an overwhelming text on its own and more still has been written about it, but an album like this demands a thorough inventory, the kind that can only be done one song at a time. Can we somehow bottle this and add it to gin drinks? It’s aged better too. Christina Aguilera, 100 Best Songs of the 2010s – #71: “Holding On” by The War on Drugs, 100 Best Songs of the 2010s – #72: “The Joke” by Brandi Carlisle, 100 Best Songs of the 2010s – #73: “Heartbreak Warfare” by John Mayer, 100 Best Songs of the 2010s – #74: “Just Give Me a Reason” by P!nk feat. This song is a perfectly wry couplet that you could almost pour into a martini glass. Welp, this song sums up the delusional arrogance of all-consuming love pretty succinctly. 100 Best Songs of the 2010s – #69: “Dizzy” by The Million Reasons, Follow ECLECTIC MUSIC LOVER on WordPress.com, 100 Best Songs of the 2010s – #68: “Nina Cried Power” by Hozier feat. The Magnetic Fields’ three-disc album 69 Love Songs is a staggering achievement, a cultural landmark, a monument to romantic, yet urbane misery. 69 Songs You Tried To Grind To At School Dances It's getting hot in herre Deepa Lakshmin deepa 03/30/2016. Who wrote this Book of Love? This song is hilarious, even if the humor mostly hinges on the fact that the term tryst is inherently gross.

I love it, and yes, the guitar is perfect. The instrumentals are incredible, and Scott Nadeau’s powerful, expressive vocals are perfection. Merritt sings the word “baby” more convincingly than most songwriters of his generation. On “Washington D.C.,” Gonson’s sparkling vocal performance is so uplifting that it cuts through the middle of disc two like a blast of fresh air. Charles Wright & the Watts 103rd Street Rhythm Band, My Whole World Ended (The Moment You Left Me), List of Billboard Hot 100 number-one singles of 1969, List of Billboard Hot 100 top-ten singles in 1969, https://en.wikipedia.org/w/index.php?title=Billboard_Year-End_Hot_100_singles_of_1969&oldid=969701511, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 July 2020, at 22:57. In A Midsummer Night’s Dream, Shakespeare has Theseus famously remark, “The lunatic, the lover, and the poet are of imagination all compact.” This is just a way of restating that age old sentiment in a way that would make it easily digestible for ‘90s alternative teens, not because it’s necessary to do that but because it’s amusing. As one of the Magnetic Fields’s loop songs, it features everyone playing the same thing from the start to finish, and it’s garnished with whoa-whoas and a single set of handclaps. More of a murder ballad. Is it a merciless skewering of world beat as a file under and marketing-bred subculture? Very hard to listen to and not feel happy. 27 Best Ever Songs From Movie Soundtracks; HOT SONG: Tory Lanez - "Most High" - LYRICS; 11 Delicious Misheard Lyrics About Food [Verse 3: A Boogie Wit Da Hoodie] I fuck it up, I fuck it up, hum yeah Smack a lot, I swag a lot, hum yeah I hit it on the tour bus, ooh yeah It expresses the kind of love that parents feel for their children, the kind that is utterly blind (“I don’t know if you’re beautiful, because I love you too much”) the kind that threatens to tear your heart in two, even if everything is fine, especially if everything is fine.

Some of the shortest are among the finest, though. It’s Elizabethan comedy dipped in Manic Panic semi-permanent hair dye. The layered vocals in this song creates quite a cool effect. This song can be encapsulated in one line: “I dream all day long of the way you say good night.” It’s a darn good line.

Musically, in terms of things like instrumentation, this has more to recommended it than most songs on the album, with its pleasant acoustic jangle and guitar solo. It’s a light, brisk, puppy eyed ditty that serves as an introduction to what you are in for and eases you into it, in a frog boiling kind of way. It’s in the running for title of “only believable love story of the 20th century.” It’s the kind of song that nearly everyone secretly but fervently believes is their song, even though no one’s papa was actually a rodeo.

This site uses Akismet to reduce spam. Or are the kids so much harder now? The Magnetic Fields are beguiling when you can’t quite tell how invested they are in the song, or the idea of love. Does it contain a wistful yearning to know such heroic love? ( Log Out /  Wise, tender and softly defeated, this really could be one of the best love songs, one of those transcendent pages in The Book of Love, even if it is tear-stained. He doesn’t try to do too much…just the right feel. “Love is Like a Bottle of Gin” doesn’t have the most indelible melody of the bunch, but 69 Love Songs is almost defiantly about the lyrics. The lyrics to the bridge, “we don’t have to be stars exploding in the night / or electric eels under the covers / we don’t have to be anything quite so unreal, let’s just be lovers,” are some of the most heart-melting on the album, but keep in mind that the character Merritt inhabits here is married. It’s kind of cool, but it also smacks of Tom Waits, which seems like a cop out. The song is just a tiny bit crass and sweary too, which adds some spice.

“Strange Eyes” has the distinction of being the weirdest song on the album. The song itself is hinting that you should wake up, maybe just so that later it can claim it tried to warn you. Change ), You are commenting using your Facebook account.

One gets the feeling that all the flowers in the fairyland where the eponymous fairytale is set are DayGlo daisies, but everyone is wearing a vest and suspenders for some reason. This song could be interpreted as mocking the idea of “punk love” or punk-rock love songs and, if so, it is doing it without a hint of affection. With its mess of audio effects, treated vocals, cello and professions of insanity, “I Shatter” is the highest dosage of Stephin Merritt that is considered to be safe. At the time “Dizzy” was recorded, the band consisted of Scott Nadeau (vocals and guitar), Ken Ugel (guitar), Mike Nichols (guitar) and Colin Dill (drums).

You suddenly feel wiser than your years, however many you may have. Glad you like it too Max. This is a list of Billboard magazine's Top Hot 100 songs of 1969. Is this, like many of the best tunes on 69 Love Songs, a case where the narrator is clinging to some romantic narrative in order to shield their psyche from an unacceptable reality? Take this tidy miniature, which calls to mind a small porcelain figurine of Saint Sebastian or some other thing that is simultaneously genteel and ghoulish, or maybe a Southwestern Surrealist collage where Christ’s briar encircled heart has been snipped away and replaced by a pincushion cactus in full bloom. Sure, you could say the whole project is a self-indulgent in-joke, but most of the time the rest of us are allowed to enjoy it. Sprinkled with glitter and splashed with reverb, surreal, but whimsical and full of vivid images, it’s a little late-’60s San Francisco psych and a little early ‘70s glam. Then it’s over. In a way, it was the simply right tool for the particular job here, which was to be quietly and earnestly mournful. When Merritt makes reference to “all the endless nights when I wished I could still cry” we know that, even though this is a happy song, it belongs to a very sad musical. A lullaby for a grown up, a love psalm, a moment of almost unbearable vulnerability and surrender—“Asleep and Dreamin” is all of these things. The fact that it can be so odd and yet so easy to identify with is what makes it great as a pop song and one of the best of the 69. It’s just an Irish ballad. It works well as all of these things, and also as a song.

In many ways this is the strangest and most impenetrable song on 69 Love Songs. If so, is the filter really inappropriate?

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